Monday, October 20, 2014

Get Well Soon, Foggy Nelson!

Having waited for the trade paperback of Mark Waid and Chris Samnee's Daredevil, I was late in learning that Franklin "Foggy" Nelson, Matt Murdock's longtime friend, legal partner and confidant was recently (that is to say in March 2013) diagnosed with cancer. Specifically, Ewing's Sarcoma, a rare sarcoma, which is a form of cancer that affects bone or soft connective tissue. Being a sarcoma survivor myself, this obviously struck me as something I might use to raise awareness of sarcoma cancers and ask that you keep reading and perhaps consider helping in our fight against this nasty disease.  Below are the panels of the doctor with Foggy and Matt Murdock. 

Foggy Nelson's Matt Murdock's best friend, legal partner and confidant receives the news: it's Ewing's Sarcoma. From Marvel's Daredevil Vol. 3 #24 (May 2013) Written by Mark Waid with art by Chris Samnee, colouring art by Javier Rodriguez and letters by VC's Joe Caramagna.  
There are over fifty forms of sarcoma cancer, which originate in connective tissue such as bone, cartilage, muscle and fat. Osteosarcoma, the form of sarcoma that I survived over nineteen years ago, has increasingly become more treatable, but sadly people still pass away because of it. Indeed, you might recall that the the comic book world has not been immune from pains caused by sarcoma, with Sam Loeb, the son of Marvel creative executive and writer, Jeph Loeb, passing in 2005 from the disease at only 17 years old. Our sympathies remain with the Loeb family.
  
The five-year survival for Ewing's sarcoma 70% to 80% when treated with chemotherapy. However, if metastasized (moved from it's original location to another), the survival rates fall to less than 10% to 25-30% depending on the source. Like all cancers, its important to get it early. 
If you would like to support a sarcoma related charity, please consider a donation to one of the following links. Because most of the readership of this blog comes from either the USA, UK or Canada, I have named the respective sarcoma charities from these countries. Recently, when Toronto Mayor Rob Ford was diagnosed with a sarcoma cancer, in my capacity as a board member of the Sarcoma Cancer Foundation of Canada, I took to the airwaves to speak on Canadian television about my own experience with the disease. Please feel free to watch what I had to say here and here. Thank you for reading and have a great week.

Monday, October 13, 2014

WGTB Reviews The Forgotten Man by Amity Shlaes & Paul Rivoche

By any account the Great Depression was a terrible event in the history of our world. Precipitated by a massive stock market crash on 29 October 1929, it carried on for a decade and turned the global economy on its head. It also precipitated the modern welfare state, leading for the first time to massive government involvement in the economic affairs of most Western states. The Forgotten Man: A New History of the Great Depression by Amity Shlaes, first released in 2008, is a book that examined the Great Depression from a free-market perspective and argued that it was unnecessarily prolonged by state involvement in economic affairs and it was largely this government interia that was to blame for it lasting up until the Second World War. The book reviewed today is the graphic retelling of Shlaes' book, released earlier this May and drawn by Toronto-based artist Paul Rivoche.  

The Forgotten Man: A New History of the Great Depression (Graphic Edition), Amity Shlaes & Paul Rivoche, Harper Perennial, 2014, $19.99 (US)
Of course, the "dismal science" as Thomas Carlyle described it, is massively complex and rooted in a long and debated history. Indeed, it's almost impossible to debate economics without getting political and at times it's easy to predict a person's stance on a smaller issue if their other, economic view is known. So to provide a little background we'll firstly take a broad look at the history of economics with the hope that you leave this review with a better sense of what the debate is all about.  

Economics Emerges

Although humans have been trading since the dawn of time, for the sake of brevity, this account will start with an entity that emerged when the medieval period transitioned to the early modern: the Joint Stock Company. First introduced in the Netherlands with the Dutch East India Company, followed shortly thereafter by the English East India Company, the Joint Stock Company was a means by which individual investors pooled their wealth in the form of joint-ownership of a larger venture in order to mitigate the risks that came with sending ships to far-off lands in search of wealth. The investors of Joint Stock Companies reaped the rewards if their ships returned, but could also transfer (sell) their shares if they needed to as well.

Print of the Dutch East India Company shipyards 1726 by Joseph Mulder.
The rise of this new corporate structure coincided with the rise of what was later named "Mercantilism" and the two went hand-in-hand. Mercantilism was a form of state-sponsored economics that involved governments using their military and laws to prevent their colonies (mercantilist countries were almost universally European) from trading with anyone else. Naturally, this encouraged the proliferation of Joint Stock Companies, which were created by their respective Crowns, but also encouraged resentment in some of the more enterprising and prosperous colonies of the world: the Thirteen American colonies being a prime example of this. 

So in the same year that America started its revolution, Mercantilism was challenged outright by an intellectual from the most powerful mercantilist state in the world: Great Britain. Beginning in the late 17th-century, Europe and America underwent an Age of Enlightenment. The Enlightenment was a period when the prominent thinkers of these continents, turned towards an emphasis on reason and individualism rather than tradition. Scotland, having joined England to form the United Kingdom in 1707, had an especially robust period of enlightenment and it was one of its thinkers that emerged as the most coherent voice for Enlightenment-based free market economics. His name was Adam Smith.

Statue of Adam Smith on the Royal Mile in Edinburgh, Scotland, UK.
Born in Fife, in 1726, Smith was educated at the universities of Glasgow and Oxford before returning to Edinburgh to continue his work at the university there. In 1776 he would publish An Inquiry into the Nature and Causes of the Wealth of Nations, now most often known by the latter portion of its title. While this book cannot be called a manifesto or polemic of capitalism, it is still largely regarded as the seminal treatise* in what is now labeled Classical Economics. In Wealth of Nations Smith spoke of the enlightened self-interest of economic trade as well as the danger monopolies had to the economic betterment of a country. He wrote: 

A monopoly granted either to an individual or to a trading company has the same effect as a secret in trade or manufactures. The monopolists, by keeping the market constantly understocked, by never fully supplying the effectual demand, sell their commodities much above the natural price, and raise their emoluments, whether they consist in wages or profit, greatly above their natural rate. The price of monopoly is upon every occasion the highest which can be got. The natural price, or the price of free competition, on the contrary, is the lowest which can be taken, not upon every occasion, indeed, but for any considerable time together. (Book 1, Chapter 7)

Industrial Revolution

In the late 1700s something also started in the UK that would change the face of the world: the Industrial Revolution. While not a revolution in the flag-waving sense, it transformed economic production into something almost unrecognisable only decades earlier. Gone were small rural cottage industries and large land-holders extracting wealth from tenant farmers, to be replaced by steam and coal powered factories in massively expanding cities which were populated by low-skilled workers. Of course, as the established economic order was turned on its head, critics started to emerge, most notably German radicals Karl Marx and Frederich Engels

Marx and Engels, writing in their critique Das Kapital (1867) saw capitalism as an inherently exploitative relationship between the capitalists and workers. Because the workers were paid for work at a fixed wage, they contributed more than they received from their wages and were kept in chains by this relationship. The naturally corollary envisioned by Marx and Engels was the workers of the world uniting to end this relationship in a worker-centred socialist utopia. This notion, argued for in an earlier polemic The Communist Manifesto (1848), saw a socialism of armies of workers; state control of credit and banking; and the near complete state dominance of all areas of economic production.     

The grave of Karl Marx in Highgate Cemetery in London, UK.
Decades later when the Great Depression came around, there was debate as to how to deal with it. The prevailing thought in the United States remained the classical liberalism of Adam Smith but this wasn't universal: only a decade earlier the Russians had turned to Marxian socialism in their revolution of 1917. So while the United States never came close to becoming the next socialist republic, it was British economist John Maynard Keynes, already famous for his critique of the Versailles treaty, in his work The General Theory of Employment, Interest and Money (1936), who rose to challenge the established economic order. Keynes argued that in order to save capitalism from itself, (and thereby turning any communists aside) government needed to step in and spend massively on infrastructure to get the economy moving again. Keynes based this on the idea of Aggregate Demand determining the overall health of an economy and when the private sector led to inefficient macroeconomic (large scale) outcomes, it was the public sector that needed to step in and pry the pump. This could include massive spending projects like bridges, buildings or public works, but could also include just paying people to dig holes and then paying others to fill them in again. Keynesians belived that if people started working, they would buy things and this would cause upward spiral towards economic prosperity. 

Neo-Keynesism found a home in the aftermath of the 2008 Financial Crisis with even conservatively-minded governments in the United States and Canada implementing massive spending programs. For example, George W. Bush's Troubled Asset Relief Program (TARP) saw the US government buy assets and equity from financial institutions in order to shore them up. Across the border, Canada's Economic Action Plan involved massive spending on roads and other public infrastructure. More recently, Quantitative Easing which sees central banks such as the Federal Reserve or the Bank of England buy specified amounts of financial assets from commercial banks (Citibank or RBS), thereby pushing the prices of these assets up and raising their prices, all the while increasing the amount of money in the economy.      

Lawyer and long-shot GOP 1940 Presidential candidate, Wendell Willkie narrates The Forgotten Man. The portions of the book where he tells the story are done in red. The rest of the book is black and white. All art by Paul Rivoche.   
All of which brings us to the The Forgotten Man and its examination of the push-pull of government control over the economics of the Great Depression and the "New Deal", a Keynesian effort by President Franklin D. Roosevelt and his brain trust to exert more state control over the economy. The story is faux-narrated by Wendell Willkie, a long-shot Republican party candidate for the 1940 presidential election who saw state-encroachment of the economy, not as a good thing, but as an interfering menace that stood in the way of real recovery by stifling ingenuity and market correcting forces. Below are some images, and if you read carefully, you'll notice the debate between state and market forces and how they are manifested in political debates around other issues including income inequality or wage and price controls.

At the 1932 Democratic Convention in Chicago candidate Franklin D. Roosevelt, the patrician New York State governor took his party, which was made of up liberal northerners and conservative southerners, to the left of the political spectrum.


A depiction of the ligitation of the case A.L.A. Schechter Poultry Corp. v. United States
The Forgotten Man also walks the reader through not only the economic debate and the FDR advisers, but also the legal dimensions of the New Deal policies as well. A.L.A. Schechter Poultry Corp. v. United States (1935) was one of the cases before the Supreme Court of the United States that saw Americans challenge FDR's laws and in this particular instance saw that honourable court render the National Industrial Recovery Act unconstitutional. In this instance the debate centred around Schechter Poultry selling chickens, but also focused on wage and price controls, work hours and unionization. The Court found in favour of Schechter but this did not stand in the way of more centralizing laws and soon even SCOTUS would relent, ending soon after what is called the Lochner era of American jurisprudence.  

The view from the SCOTUS bench in The Forgotten Man.
The Lochner Era, from the decision of Lochner v. New York, 198 US 45 (1905), a period of laissez-faire judicial decisions based on liberty of contract and the 5th and 14th Amendments, ended in the mid 1930s.  
The inauguration of the second term of President Roosevelt. Until that time no President had so much power concentrated into his hands. Roosevelt would serve an unprecedented four terms in office, dying in office on April 12, 1945. Because of Washington's refusal to accept a third term nomination, no president until then had gone past two terms. Since the passing of the 22nd Amendment of the Constitution (1951) no president is legally permitted to sit more than two terms.
After the policy and the ligitation, The Forgotten Man takes the reader to the place where poverty and economic downturn hit the hardest: the life of the everyday American. Indeed, the book's core thesis is that it was the centralizing decisions made by a powerful political and legal elite (as well as their benefactors who ran the programs) that were the real sources of the pains of the Great Depression, with the victims being the namesakes of this book. Rivoche's art works very well at portraying these men, women and children and the starkness of black and white works brilliantly with the overall message.  

Paul Rivoche draws a collective farm.
All of which makes this story of economics, law and history a very enjoyable read. Indeed, if you enjoyed the prose edition of The Forgotten Man you will most certainly enjoy this book too. Amity Shlaes' lessons are masterfully told by Paul Rivoche and although the ideological slant might not be your cup of tea, it is never-the-less a thought provoking account of the Great Depression. Admittedly, I tack towards the author in terms of my own economic and political thinking, but please don't let that take from the valuable lesson and photo-realism that makes this book an excellent addition to anyone's library of history or sequential art. Economics is a topic that in all likelihood will be forever debated, but it is my hope today that you're leaving WGTB with a better sense of the topic. 4/5 STARS 
 
*A treatise is a formal, systematic and written examination of a singular subject. They are typically longer than an essay and go to the very essence or principles of the subject.

Wednesday, October 1, 2014

Addendum Review: Showa 1939-1944: A History of Japan by Shigeru Mizuki

A few months ago I reviewed a graphic novel by legendary Japanese artist Shigeru Mizuki and released to English-speaking audiences by Canadian publisher Drawn & Quarterly. Quite simply, it was fantastic and towards the end of the review I mentioned there was a follow-up coming in June 2014. Well, I recently read that second volume and have to say it is even better than the previous edition. The most recent portion of Mizuki's epic account of Japan in the early 20th century, Showa: A History of Japan 1939-1944  took his story into the late 30s and early 40s which saw the Empire of Japan attack the United States of America and the bulk of the war in the Pacific. 

Showa 1939-1944: A History of Japan, Shigeru Mizuki, Drawn and Quarterly, 2013, pp. 548, C$24.95
I don't have much substantively to add to my previous review, but have captured some choice images for you to enjoy and hopefully this will give you an additional sense of just how masterfully drawn and insightfully told both of these books are. Simply put, Muzuki is an outstanding storyteller and I hope you read/buy/enjoy these remarkable books. Suffice it to say, Showa 1939-1944 gets a near perfect 4.7/5 STARS (the highest we've ever given) and so you really enjoy the images below, we've captioned them with some history to explain their historical significance. Thanks for stopping by!   

This panel is especially interesting. We all know of the Molotov-Ribbentrop Pact which was signed by the Soviet and Nazi foreign ministers in August 1939 and promised non-aggression between those two totalitarian states. But the treaty had Pacific ramifications too. Because of their invasion of Manchuria (China), the Japanese also had an undeclared border war with the Soviet Union in the late 1930s which was of concern to both governments. Earlier, in November 1936, the Nazis and Japanese has also signed an Anti-Comintern Pact against the Russians and then in April 1941, the Japanese and Soviets, in an effort to limit exposure on their western and eastern flanks, signed a Soviet-Japanese Neutrality Pact. Apparently Hitler was not very pleased. 



  
An image from a Japanese warship on the eve of the Pearl Harbor Attack. While President Roosevelt had made efforts to involve the US in the Second World War, it was the Pearl Harbor attack that brought the Americans into the war in a very violent fashion. Shortly after the Japanese declared war, the Germans followed suit.    

Mizuki's scene from the Battle of Midway which took place in June 1942, seven months after the attack on Pearl Harbor. Midway Atoll is north-west of the Hawaiian archipelago and was considered a key strategic location of the Pacific. The Battle of Midway itself is considered one of the most important battles of the Pacific war and Japanese war leader Admiral-Marshal Isoroku Yamamoto proved quite prophetic when he promised his government: "I can run wild for six months … after that, I have no expectation of success". Yamamoto was very close to the mark because Midway was the turning point of the Pacific War and started the American push into the Japanese "Co-Prosperity Sphere".  The Harvard trained and English-speaking Yamamoto said in reference to Pearl Harbour: "I fear all we have done is to awaken a sleeping giant and fill him with a terrible resolve." He was right there too. 


The USS Enterprise. The "Big E" was the most decorated US naval ship in the entire war.  

An image from the Battle of Sunda Straight. Mizuki's black and white images of air and sea battles are hauntingly serious and accurate.  


Here's more use of black and white to describe the naval war in the south Pacific Ocean. 


But despite Mizuki discussing a very serious topic, he also takes care to maintain levity, wit and humour throughout the story...


...and at one point even includes an instance where he had a very disgusting mishap with an army latrine. Uck!


But ultimately Mizuki comes back to the futility and waist of the Japanese war effort and the derangement of Prime Minister Hideki Tōjō. Here the prime minister talks about a Japanese parade down Whitehall (London) and imperial battleships in New York harbor.




Thursday, September 11, 2014

Remembering 9/11

Today we remember the dreadful events of that otherwise beautiful morning on September 11th, 2001. Like me, I'm sure you remember exactly where you were when you saw those civilian airliners crash into the World Trade Center in New York City and the Pentagon in Washington, D.C. It was a terrible day and one we must always remember. 

While no country is perfect, as a Canadian I've always been happy to have the United States as a neighbour and, as any reader of this blog knows, love their comic books and popular culture very much. So to remind us all of America's spirit and its ability and willingness to tackle the villians of the world, I've attached two images of Nick Fury, Captain America and S.H.I.E.L.D. The art is from the great Jim Steranko. Lest We Forget.  

Captain America and Nick Fury in Marvel's Strange Tales #160 (September 1967) Written & illustrated by Jim Steranko

Image of S.H.I.E.L.D. team by Jim Steranko. Published in S.H.I.E.L.D by Steranko: The Complete Collection (2013)

Sunday, August 31, 2014

FanExpo Canada 2014

This past weekend, the third largest comic and fan convention in North America occurred. It started on Thursday, August 28th at the Metro Toronto Convention Centre in Toronto, Canada and continued until today (Sunday). Unfortunately, your humble blogger was only able to attend one day, but I was able to take a bunch of photographs for this photo-essay. Here it is: 

FanExpo Canada 2014. Normally this convention is the weekend before the Labour Day weekend,  but this year it happened to fall on that long weekend. And with Derek Jeter playing his last series against the Blue Jays, one felt there would be a lot of visitors from south of the border in town this time. Who doesn't love a double-header of Geek and Baseball, right?   

And this was the case: the crowds were massive! This is the pre-purchased ticket queue on Saturday morning. 

A few years ago the North Building of the convention centre was not used for FanExpo. Now it's packed at 10:00 am!

Horror masks.

North Building at about 10:10 am.

Into the South Building. Comics at a comic book convention??? Who would have guessed?!?

Darth Vader on holiday.

More sales in the South Building.

The DC Champions of Justice panel; Left to Right: David Finch, Brian Azzarello, Jeff Lemire, Greg Pax and Larry Ganem. The highlight of the listening to Azzarello talk about his (amazing) run on Wonder Woman. It ends later this autumn but has been a very soild three years. He also talked about how it, while being largely free of the larger DC continuity, was never-the-less true to the character. His advice to David Finch and his wife, Meredith, who take over the book in November, is to always keep in mind the passion fans have for that comic book icon. Jeff Lemire talked about Justice League United, his research into its heavily Canadian content and the personal inspiration for his new character Equinox, the aboriginal Canadian who features in the story. They also spoke about working together on Futures End. Pak spoke about his ongoing work on Batman/Superman.
Imperials of the 501th Legion.

The Marvel: All Access panel; Left to Right: Jeanine Schaefer, Charles Soule, C.B. Cebulski, Greg Pak, Ryan Stegman, Mahmud Asrar and Adam Kubert. This panel was more free-flowing than the DC with Kurbert talking about the upcoming Axis crossover, Soule, the upcoming She-Hulk courtroom drama with Matt Murdock and, of course, the impending death of Wolverine. Stegman spoke about Inhuman and Pak about his work on Storm. Jeanine was asked a "diversity in comics question" and she and C.B. spoke about how Ms. Marvel is the most popular downloaded book outside of North America, which has told Marvel that female lead characters are good for the bottom line. 

A Batmobile...of sorts.

The Batman: Arkham Knight Batmobile again. 

Vive la France!

A Nissan S130 painted up as the Autobot "Prowl".

Prowl Again.

This was interesting. This Deadpool-look-a-like is actually a police recruitment character named "United" who works for the York Regional Police, a force from a region north of Toronto. I certainly don't want to see local cops wearing that outfit, but it does show how pervasive geeky things are these days. 

Exterminate! I'm loving Peter Capaldi in the role, btw.

Boba Fett and Darth Vader

Commander Adama signing autographs along with...

...the incomparable Bruce Campbell. Hail to the King, baby!!!!

The Batmobile circa 1966.

The evening was capped off with a brief talk by William Shatner. The big event is An Evening of the Two Captains with Shatner joined by Sir Patrick Stewart on Sunday evening. In this short chat (30 minutes) Shatner spoke mostly of his early career, much of which was spent in Toronto after he first moved from Montreal. One notable story was about when he didn't have much, it was friendships (and that's not a euphemism) with "ladies of the evening" that helped him get through those tougher times. He was fantastic and even made a couple digs at George Takei, who doesn't seem to speak too highly of him these days. Shatner is always awesome to see, and brought the house down in only half an hour!  
So there you go: one day of FanExpo Canada. I hope you enjoyed it and we'll see you next year.

Thursday, August 28, 2014

Happy Birthday to Jack "The King" Kirby!

Today marks what would be the 97th birthday of Jacob Kurtzberg a.k.a. Jack "The King" Kirby. For the few of you who don't know, Jack Kirby is one of the most important artists in the history of comic books and the co-creator of such superhero stalwarts as Captain America, the Fantastic Four, the X-Men, the Hulk, the Avengers, Silver Surfer and Galactus, and so many, many more.

Jack Kirby in 1993, shortly before his passing. Photo by Suzy Skaar. 
Born August 28, 1917 in Lower East Side Manhattan, Jack was the son of Jewish immigrants from Austria. At an early age he found himself to be a gifted artist and this eventually led to a job working on comic strips and graphic images at a newspaper company. Shortly afterwards, he found work drawing parts for film animation and then moved to the Fox Feature Syndicate where he met writer/editor Joe Simon. From there, the pair moved on to Martin Goodman's Timely Comics where Joe and Jack created the iconic Captain America in late 1940, almost a full year before Japanese bombs sunk the USS Arizona at Pearl Harbor. 

Private Jack Kirby home safe and sound after the Second World War. 
Jack himself would go on to serve in the 11th Infantry Regiment and would land at Normandy, although not during the D-Day invasion. With entertainment options limited in the theatre of war and comic books easy to carry and pass around a barracks, there are stories of soldiers reading Captain America during reprieves in the fighting, often at complete unawares that Cap's co-creator was on the base close by. Jack returned state-side in early 1945 after honourable service in the US Army, perhaps most notably at the Battle of the Bulge, the last German offensive of that dreadful war. 

Marvel's Fantastic Four #48 (March 1966) which featured Silver Surfer and Galactus.
Once back in the states, Jack returned to his true calling: art. But when the bottom fell out of superhero comics in the late 1940s, Kirby took to other versions of the funny books. Indeed, after they had reunited, Simon and Kirby created romance comics, a forerunner to young adult-themed cultural phenomena that could even include television programs like Friends or How I Met Your Mother. Kirby's work with Simon would come to an end when the latter moved to advertising, but Jack soon made the move back to Atlas (formerly Timely) Comics and when the Silver Age dawned with the publishing of DC's of Showcase #4 in 1956, Kirby was well-situated to reconnect with his former colleague Stan Lee and create a new group of superheroes. 

Image from Marvel's Fantastic Four #91 (October 1969) This art is classic Jack Kirby. 
"Stan and Jack" would go on populate the Marvel Universe with the Fantastic Four, the X-Men, the Avengers and many more, with the duo becoming some of the most prolific story-tellers in the history of the medium. They were also the gold standard too, with their tales featuring galactic adventures, large-than-life heroes, god-like villains, a resurrected Captain America and Marvel's calling card of the Silver Age: teen angst. Jack Kirby stayed with Marvel until the early 1970s when he was enticed to cross the street and move to DC. While at the "Distinguished Competition" Jack took the reigns of Superman's Pal, Jimmy Olsen (a poor selling book so he wouldn't take anyone's job) and created the highly serialized and archetype-rich science-fiction epic Jack Kirby's Fourth World as well as characters OMAC and Kamandi. In the mid 1970s Jack returned to Marvel for a short, final time where he created fan favourites The Eternals, among a few others.

Kirby art in Pacific Comics' Captain Victory and the Galactic Rangers #3 (March 1982).
After a brief stint in animation in the late 1970s where he worked on such awesome stories as Thundaar The Barbarian, Jack returned to the funny books once again to do work that we would now label "creator owned". This choice of phrase is both apt and ironic due to on-going legal issues relating to the ownership of Kirby's co-creations at Marvel, issues that may yet be heard before the Supreme Court of the United States. But that is a sordid tale for another blog entry (or even a book).

Jack Kirby's self-portrait. It features many characters he co-created and developed at Marvel Comics. 
Jack Kirby passed away on February 6, 1994 at the age of 76. When your humble blogger became re-acquainted with comic books after a decade-plus hiatus, it the re-discovery of Jack Kirby's art that drew me in and indirectly led to the creation and naming of this blog. WGTB loves Kirby's larger-than-life characters, his legendary "Kirby Krackle" and the dynamism of almost any page he has ever drawn. So happy birthday, King! You're well and truly missed and have legions of supporters and fans who will ensure your name is never forgotten.